Fishermen
Fishermen
Carlo Goldoni
Director: Jovan Ristovski
Playwright: Biljana Krajchevska
Scenographer: Valentin Svetozarev
Costume designer: Andrej Gjorgievski
Composer: Aleksandar Dimovski
Light-master: Igor Micevski
Inspector: Oliver Petrovski
Caper: Gordana Mihajlovska
THE PREMIERE: 25.07.2025
Playing:
Sonja Oavkova - Madonna Pasqua, A woman on parony tony
Marija Cvetanovska - Lucieta, Girl, Sister for Paron Tony
Julijana Mircevska - Madonna Libera, Wife on Fortunato Paron
Katerina Anevska Drangovska - Orseta, Girl, sister of Madonna Libera
Leonid Gulevsk - Kek, the second girl, sister of Madonna Libera
Petar Gorko - Paron Fortunato, fisherman
Aleksandar Dimitrovski - Paron Toni, the owner of a fishing boot
Nikola Projcevski - Tofolo, Junjzija
Nikola Stefanov - Beo, Young, Brother for Parons Tony
Valentin Damcevski - Tita Mint, a young fisherman
Petar Spirovski - Paron Vincenzo, fisherman
Ilina Gjorevska - Kanokia, pumpkin
Elena Moshe, Zhivko Borisovski, Marija Stefanovska - Isidoro / Courier / Assistants to the Crime Chief / Theatrical masters
The idea of the play is to tell the truth of human nature. On the surface, this is a comedy — full of witty dialogue, clumsy love "traps" and funny fights. But under that humorous mask hides a very human question: How do we know what is true??
In this comedy, words move faster than facts. A rumor, one misheard sentence, can wreak havoc. Characters argue about things they think they heard, or feelings they assume to be real. They defend pride over reason, jealousy over trust. Truth becomes flexible—bent by love, Straw or his.
In that sense, this work is a deeply contemporary dramatic work, which, through the director's approach, will open important questions such as: – Don't we also live in a world where it is increasingly difficult to distinguish the real from the fake?? Where emotion often trumps understanding? Where the people are confused by how they feel about the real facts?
This play will explore exactly that clash. Not just between men and women, lovers and rivals, but between truth and illusion, self image and reality. Theatrical illusion and inspiration versus sterility. Goldoni's characters show us how fragile human communication is—and how important it is to try again and again to listen with the heart.
This is not just a "comedy of confusion", this is a portrait of how communities stumble—and how together they can heal and help each other.
Jovan Ristovski – director

























































