The play also uses the songs "Talk" by Blaze Koneski and "Museum" by Nikola Madzhirov

Basically, Drama conflict in the play "Happy End" actualizes a problem, characteristic of modern man – the problem of interpreting reality outside of one's own life and one's own representations of it: how not recognizing or not wanting to recognize the signs of the times in which we live reflect on the human personality, Interior and family life and as a way to realize one's own life in an atmosphere of some kind of self -isolation of reality finds (Not)an appropriate response to that reality.
The action of the play of the Israeli playwright, Ido Netanjahu, It leads us into the atmosphere of one seemingly different time of today's-30s of the 20th century in Germany. Berlin lives life on a European Center of Culture, cafeat, theaters, The salons are full of guests, nightlife passionately pours out on his streets. A Jewish family, Free and well situated and integrated in that "fascinating chaos of ideas", As one of the characters says, in love with that city, He does not want to see the obvious - the real danger of their lives in the galloping Nazism…
Through a constant conflict of external reality and the inner world of characters, the author of the play, builds a drama of uninterrupted tension in relationships, A life crisis from which characters do not go out - stand before the court of basic moral and existential issues for their own lives. Through a classic love triangle, He even introduces them to the game according to Melodramic See, But only formally. Actually, the action develops in a drama for what is called a real and credible life: Is the passion for life and free choice to (Not)accept the challenge of reality will lead to a happy ending.

Olivera Pavlovic